una-lady-italiana:

Woman in fur (Kiki de Montparnasse) , 1926. Photo by Aleksandr Grinberg.

una-lady-italiana:

Woman in fur (Kiki de Montparnasse) , 1926. Photo by Aleksandr Grinberg.

parabolica242:

artdecoblog:

mote-historie:

liquidnight:

George Hoyningen-Huene - Colette Salomon as “The modern woman,” Vogue, 1927

From The Photographic Art of Hoyningen-Huene by William A. Ewing

navisis:

Portrait, 1928

Florence Henri

(via etund)

mimbeau:

Place de la Concorde on a rainy day

Paris 1928

André Kertèsz

(via mimbeau)

hedda-hopper:

Douglas Fairbanks at Grauman’s Egyptian Theater during construction, 1921

(via matineemoustache)

hipinuff:

Kees Van Dongen (Dutch: 1877-1968),  Le Louvard. 1924. Oil on canvas, 92 x 73 cm

(via blastedheath)

(Source : maudit)

(Source : maudit)

coeursfideles:

L’Argent (Marcel L’Herbier, 1928)
Antonin Artaud
coeursfideles:

L’Argent (Marcel L’Herbier, 1928)
Antonin Artaud
coeursfideles:

L’Argent (Marcel L’Herbier, 1928)
Antonin Artaud
coeursfideles:

L’Argent (Marcel L’Herbier, 1928)
Antonin Artaud

    coeursfideles:

    L’Argent (Marcel L’Herbier, 1928)

    Antonin Artaud

    coeursfideles:

L’Argent (Marcel L’Herbier, 1928)

    coeursfideles:

    L’Argent (Marcel L’Herbier, 1928)

    
"To be good is to be forgotten. I’m going to be so bad I’ll always be remembered." -Theda Bara (Photoplay, June 1920)
    "To be good is to be forgotten. I’m going to be so bad I’ll always be remembered." -Theda Bara (Photoplay, June 1920)

    (Source : miss-flapper, via lemaldusiecle)

    mai 5
    coeursfideles:

Napoléon (Abel Gance, 1927)
Antonin Artaud as Marat

    coeursfideles:

    Napoléon (Abel Gance, 1927)

    Antonin Artaud as Marat

    mai 4

    (Source : realduality)

    (Source : aikainkauna)

    onlyoldphotography:

    Berenice Abbott: James Joyce, 1928

    This was one of her most moving portraits. The grey, strangely lifeless, enveloping light finds its way everywhere, describing without emphasis or favor the writer’s stickpin, his hands, his right ear, his fine beaver hat, the deep tiredness of his elegant slouch. He seems the survivor of too difficult a battle, shell-shocked by the terrible labor of putting so many words in the precisely proper order.

    (via onlyoldphotography)

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