liquidnight:

André Kertész

En haut de la tour Eiffel : deux amoureux enlacés embrassant Paris du regard, 1929

[From the Réunion des Musées Nationaux]

(via lindadarnells)

bremser:

Berenice Abbott, Djuna Barnes, 1926

(Source : killerbeesting, via alwaysalbrecht)

dustyanswer:

Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s
dustyanswer:

Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s
dustyanswer:

Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s
dustyanswer:

Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s
dustyanswer:

Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s
dustyanswer:

Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s

    dustyanswer:

    Au Bonheur des Dames (Julien Duvivier, 1930) aka the Galeries Lafayette in the late 20s

    gloriaswanson:

The film Sadie Thompson (1928) almost wasn’t made due to it’s subject matter. Censors wouldn’t even allow the word Rain, the original title of the W. Somerset Maugham best seller, to be see in any of the titles cards. According to Gloria Swanson censors went over the film ‘with a fine tooth comb’ for swearing but lip readers can clearly see Gloria’s character swear numerous times in the film.

    gloriaswanson:

    The film Sadie Thompson (1928) almost wasn’t made due to it’s subject matter. Censors wouldn’t even allow the word Rain, the original title of the W. Somerset Maugham best seller, to be see in any of the titles cards. According to Gloria Swanson censors went over the film ‘with a fine tooth comb’ for swearing but lip readers can clearly see Gloria’s character swear numerous times in the film.

    (via labelleotero)

    poisonvisage:

    Tamara de Lempicka, “The Marquis D’Afflitto on a Staircase” (1926)

    treadmill-to-oblivion:

    Alice Prin, better known as Kiki De Montparnasse photographed by Man Ray.

    lepasau-dela:

    Hans Richter, Filmstudie (1926)

    (via etund)

    screengoddess:

    Nell Kelly 1929, photo by James Hargis Connell

    (via terminalsigma)

    carolathhabsburg:

    Prince Louis Ferdinand of Prussia and french actress Lili Damita.

    Thy had a brief affair in the 1920s.

    una-lady-italiana:

Woman in fur (Kiki de Montparnasse) , 1926. Photo by Aleksandr Grinberg.

    una-lady-italiana:

    Woman in fur (Kiki de Montparnasse) , 1926. Photo by Aleksandr Grinberg.

    parabolica242:

    artdecoblog:

    mote-historie:

    liquidnight:

    George Hoyningen-Huene - Colette Salomon as “The modern woman,” Vogue, 1927

    From The Photographic Art of Hoyningen-Huene by William A. Ewing

    navisis:

    Portrait, 1928

    Florence Henri

    (via etund)

    mimbeau:

    Place de la Concorde on a rainy day

    Paris 1928

    André Kertèsz

    (via mimbeau)

    hedda-hopper:

    Douglas Fairbanks at Grauman’s Egyptian Theater during construction, 1921

    (via matineemoustache)

    hipinuff:

    Kees Van Dongen (Dutch: 1877-1968),  Le Louvard. 1924. Oil on canvas, 92 x 73 cm

    (via blastedheath)

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